On the set of Lethal Weapon 5: The New Batch
Justin Bieber has become such a common, easy target for ridicule that I don't really have any desire to attack him. He's constantly the butt of jokes of varying degrees of mean-spiritedness about his age (he's an infant), voice (he had a sex change), his rabid fans (they're... well, rabid fans), and so on. It's not that they can't be funny, it's just that it's something that doesn't take a lot of effort or originality. For my part, I'll say that he seems benign enough and that he's put out a few very solid, enjoyable pop songs.
So it's with a little snark- though, and this is important, not merely snark- that I say that the first analogue to Bieber documentary Never Say Never that came to mind was, yes, Triumph of the Will. To be clear, Bieber is no Hitler, and director Jon Chu is no Leni Riefenstahl (for one, Riefenstahl didn't make Step Up 2 The Streets), but damn me if the feeling isn't the same. This is not simply a nearly two hour commercial for Bieber and his brand- this is exuberant spectacle in the service of out and out propaganda. It's fun (and easy) enough to compare the legions at Nuremberg heiling their Führer with crane shots of a sold out Madison Square Garden flying over thousands of pairs of hands making the same heart gesture that's one of Bieber's trademarks. Less obvious- and more troubling- is to realize how alike are shots of Hitler greeting admirers and kissing babies to the similarly well edited, obviously staged shots of Bieber as "just an ordinary kid," walking the streets of his hometown Stratford, Ontario eating pizza and offering banal platitudes like "Don't give up on your dreams" to the shell shocked fans he comes across (and, in one of the queasiest moments in a film full of queasy moments, dropping some pocket change into the violin case of a girl playing on the same street corner where he once performed). Both films, essentially, are well-staged, well executed documents of rallies, and both camouflage an insidious agenda with layers upon layers of feel-good spectacle.
Justin Bieber has become such a common, easy target for ridicule that I don't really have any desire to attack him. He's constantly the butt of jokes of varying degrees of mean-spiritedness about his age (he's an infant), voice (he had a sex change), his rabid fans (they're... well, rabid fans), and so on. It's not that they can't be funny, it's just that it's something that doesn't take a lot of effort or originality. For my part, I'll say that he seems benign enough and that he's put out a few very solid, enjoyable pop songs.
So it's with a little snark- though, and this is important, not merely snark- that I say that the first analogue to Bieber documentary Never Say Never that came to mind was, yes, Triumph of the Will. To be clear, Bieber is no Hitler, and director Jon Chu is no Leni Riefenstahl (for one, Riefenstahl didn't make Step Up 2 The Streets), but damn me if the feeling isn't the same. This is not simply a nearly two hour commercial for Bieber and his brand- this is exuberant spectacle in the service of out and out propaganda. It's fun (and easy) enough to compare the legions at Nuremberg heiling their Führer with crane shots of a sold out Madison Square Garden flying over thousands of pairs of hands making the same heart gesture that's one of Bieber's trademarks. Less obvious- and more troubling- is to realize how alike are shots of Hitler greeting admirers and kissing babies to the similarly well edited, obviously staged shots of Bieber as "just an ordinary kid," walking the streets of his hometown Stratford, Ontario eating pizza and offering banal platitudes like "Don't give up on your dreams" to the shell shocked fans he comes across (and, in one of the queasiest moments in a film full of queasy moments, dropping some pocket change into the violin case of a girl playing on the same street corner where he once performed). Both films, essentially, are well-staged, well executed documents of rallies, and both camouflage an insidious agenda with layers upon layers of feel-good spectacle.